![]() ![]() ![]() The 2016 US elections, the pandemic, fake news, deepfakes and the #MeToo debate are integrated into scenes from films such as Wayne’s World and A Nightmare on Elm Street, and this playful pop culture hodgepodge could have plenty to say about the politics of images and how reinterpretation can lead to some very dark places. Soda Jerk create a new narrative about the profound changes in US society since Trump’s presidency: images are given new contexts and the exploration of the way we consume images, often without the appropriate background, is inherently fascinating. Their new film assembles scenes from various films and puts them in new context, echoing some of the editing experimentation achieved by Guy Maddin, Evan Johnson and Galen Johnson in 2018 with the masterful Green Fog – which also screened in Berlin. Behind the name Soda Jerk are Dan and Dominique Angeloro, the Australian directing duo behind the brilliant Terror Nullius (2018). Hello DanknessĪnother title we can’t wait to see is Soda Jerk’s Hello Dankness. Considering the dirge-like poetic power of her previous films, expect an immersive ride that shouldn’t be missed. And education – at least for the younger generation.” This film apparently zones in on the care-working matriarchy in a country notorious for its innumerable kidnappings of women and girls. But also love, intimacy, illness and death. ![]() According to the press notes, the film is set in a remote village in northern Mexico, where life consists of the most elementary things: “Being a child here is an intense experience from day one, involving nature, animals and people. Huezo now returns to the festival with El Eco, and we couldn’t be more excited. It was, without hint of hyperbole, a spellbinding masterpiece. Shortlisted as Mexico’s Oscar entry, Huezo masterfully alternated two narratives in a textured film that examined the consequences of organised crime in Mexico and what mothers will sacrifice in order to protect the ones they love. One of the greatest films to come out of the Berlinale in the last decade is Tatiana Huezo’s 2016 sophomore full-length film, Tempestad. ![]()
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